She is a perfect blend of talent and beauty. She has not limited herself to glamorous roles, she dares to act in performance oriented films also. So far she has completed nearly more than 75 movies and still in demand. # She worked in Tamil, Telugu and kannada film industries. It is the rarest thing in film industry which undoubtedly proves her talent, glamour and the skill to blend them perfectly. # Even today thats after a decade of her entry she still remains as the queen in the hearts ofher fans. Till then she never loooked back.!!! Still its a mystery that whether she followed success or success followed her.!! She became ahearthrob of millions over a night. # She came to lime light after doing lead role in “Amaravathi” in 1993 Ajit, which happens to be debut film for both of them. # It is interesting to know that her mother tongue is Kannada, but she did maximum number of films in Tamil and Telugu languages. # Before coming to the cinema she was doing modelling even from her teenage days. # This gorgeous girl born in Mysore, Karnataka, she was brought up their only. She is a born actress with all the skills necessory to survive in the film land. But this gorgeous beauty seems to be destined to rule the hearts for more than a decade. # These film industries have seen many actress with beauty, glamor talent and skills but most of them faded away within four or five years. It is the rarest thing in film industry especialy when the glamorous actresses are ready to strip their dress to whatever extent.!!! It is not a miracle that she still maintains a huge fans in southern India due to herwork in Kollywood, Tollywood and Sandalwood film industries. The whole south Indian industry men and film fans chanted her name for over a decade. There is modified Veena step and a “buckle lift” step with his son, Ram Charan Teja, who makes a 30-second cameo in a song, but the same agility and lithe is missing.Hot facts in Biography# Even today the name “Sanghavi!!” is like electric shock to the hearts millions of her fans. The narrative gets a bit predictable too.Īlso read | Khaidi No 150: Five reasons why you must watch Chiranjeevi’s comeback after 10 yearsĭSP songs do pump up the narrative but a slight disappointment is that dancer Chiru of Indra and Tagore is quite not in shape for a new step. Of course, there are some minor misses, the first half is tad slow and the post-interval part is where the actual plot exists, which is rushed. Though Chiru has a couple of lines and facts (like in Tagore) thrown at the audience, the comedic track, embedded with stalwarts like Brahmanandam and Ali, couldn’t conjure that gut-hurting laughter. Kajal is one such actor who is wasted in the film. The comeback film made his character(s), of course, shadow other roles, which just remain as dots in the storyline. Nevertheless, Chiru packs enough punch in the dialogues that it makes the narrative spike up in places evoking some cheering from the crowds making the plot a mild tearjerker. WATCH VIDEO | Chiranjeevi’s Comeback Film Khaidi No 150: Why To Watch The Film In Telugu But it’s hard to tell whether he chose the crucial issue like farmer suicide that is plaguing the nation and the Telugu states to rebuild his political platform or if it was a script he randomly liked. With the overarching role, Chiru makes the most of the script to project his return and he does it naturally. His line, “Shaking the political establishments from Delhi to here,” is also a throwback to his brief political stint. From terming the underpriviliged as “extremists” to a sickle used by farmers to slash throats, there is a Left narrative overflowing in the script. FYI: Chiru 2 is a Communist by ideology who fights crony capitalism (the corporate establishment). However, Khaidi No 150 walks a few miles more to bring Marx’s “Bourgeoisie and the Proletariat” conflict on the screen. With corruption as the skeleton, these stories played on different issues plaguing the society. From Tagore to Stalin to Sreenu, Chiranjeevi picks up roles that scream out a social message. His idea to pick up Murugadoss’s Tamil script Kaththi served his purpose in many ways. Chiranjeevi has a knack of choosing social themes wisely, to whatever extent the plot goes.